After the Drawing Crit ... a Trip to ICA!

ica home exhibitions public programs about ica visit get involved media center miranda // the blog support news shop	Bill Walton's Studio September 7 – December 4, 2011 Reception: Wednesday, September 7, 6-8PM Exhibition walkthrough with curator Ingrid Schaffner: Wednesday, September 7, 5PM, ICA Members Only The Institute of Contemporary Art presents Bill Walton's Studio in the Project Space. This exhibition recreates the unique environment of the minimalist artist, a key figure in the Philadelphia art community for nearly 50 years. Walton, a commercial printmaker by trade and later an instructor at Moore College of Art and Design (1974-1990), was often more interested in the materials used for printmaking—wood, lead, steel—than in the finished product. His studio contained an exhibition area so he could display his work in progress in order to judge whether or not it was finished, a crucial part of his studio practice. At the time of his death in 2010, Walton's studio was a small miracle of order. Tools and materials were arranged as carefully as works of art. Indeed it was not always simple to tell the tools from the work, to judge whether an artful arrangement of screws and bolts was waiting to be used or to be admired. ICA's exhibition catalogues, transfers, and displays the elements of Walton's studio, from finished work to workbench to cassette tapes and coffee cups. Using plywood slats and weathering techniques, ICA faithfully re-creates the studio's painted wooden floor, down to the way Walton filled the seams in the area that was his exhibition space. In today's art world, where so many artists work digitally and conceptually, this installation gives visitors insight into the hands-on, craft-oriented way a traditional artist hones his craft. This exhibition is organized by ICA Senior Curator Ingrid Schaffner, and is accompanied by a brochure publication. RELATED PUBLIC PROGRAMS Sunday, December 4, 2pm Bill Walton: Gifting the Studio Share memories, receive ephemera, and help complete the transfiguration of Bill Walton, a key figure in the Philadelphia art community for nearly fifty years. Hear how his animating spirit affects artists working today as ICA's recreation of his unique studio environment prepares to close. ICA is grateful to the Edna W. Andrade Fund of The Philadelphia Foundation  for their generous support. We acknowledge the generous sponsorship of Barbara  B. & Theodore R. Aronson for the exhibition brochure, and are grateful to the  Dolfinger-McMahon Foundation for funding public educational programs in  conjunction with this project. Additional support has been provided by The Horace  W. Goldsmith Foundation; The Dietrich Foundation, Inc.; the Overseers Board for  the Institute of Contemporary Art; friends and members of ICA; and the University  of Pennsylvania. General operating support provided, in part, by the Philadelphia  Cultural Fund. ICA receives state arts funding support through a grant from the  Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of  Pennsylvania and the National Endowment for the Arts, a federal agency. We are  grateful to John Ollman and the Fleisher/Ollman Gallery for their in-kind support.  ICA acknowledges Le Meridien Philadelphia as our official UnLock Art partner hotel. images: (Top, middle left and right): Bill Walton's Studio, 2011, Philadelphia. Photo by Karen Mauch. (Bottom): Bill Walton,Untitled, n.d. clamp, brass, aluminum, copper, 4 1/2 x 3 1/2 x 7 1/2 inches. Collection of Kirk Kirkpatrick and John Wind. Copyright © 2000-2011, Institute of Contemporary Art. All rights reserved. Institute of Contemporary Art @ University of Pennsylvania 118 S. 36th Street, Philadelphia, PA 19104 · 215 898-7108 · contact us Hours: Wed 11-8 · Thu-Fri 11-6 · Sat-Sun 11-5 · Mon-Tue closed Find us on: facebook · twitter · miranda · mailing list Website developed by Zero Defect Design LLC.    New podcast – ICA’s Ingrid Schaffner on curating, making her zine Pink, and working with artists By roberta | September 5, 2011   CONTINUA. An upcoming solo exhibition. Two-years in the making, Continua is a systems-based project that explores the foundational aspect of color as a continuous and singular element that is fragmented into formalized units of three-dimensionally parceled space using hand-dyed Philadelphia phonebooks. CONTINUA will be presented as a site-specific installation at  319 N. 11th Street, 2nd Floor, September 2nd through October 7th, 2011. Opening Reception September 2nd, 4-9pm. Closing Reception October 7th, 4-9pm. Open gallery hours Wednesdays and Fridays, 12-6pm. And by appointment.